Toccata for Percussion Instruments was written in 1942 by Mexican composer Carlos Chávez. This toccata is unique in that it was one of the first major pieces written for percussion ensemble, becoming a cornerstone in rhythmic music. Toccata is a melodic, textural, and colorful composition that harkens to the root of the toccare, or "to touch." Chávez's piece displays the individual touch an artist can put on any given performance. This unique piece takes the listener on an unexpected journey utilizing the percussion ensemble's many colors and moods.
Ottorino Respighi attempted to transcribe birdsong into musical notation for his piece The Birds. Additionally, the listener may hear musical representations of bird actions, like fluttering wings and scratching claws. Each movement focuses on different bird species, including doves, hens, nightingales, and cuckoos. Close your eyes and observe the beauty and quirkiness of a colorful aviary filled with feathered friends.
Stravinsky's beloved Firebird was written as a ballet for the 1920 season of Sergei Diaghilev's famous Ballets Russes. It was an immediate success, and it was Stravinsky's first professional breakthrough and the beginning of an ongoing partnership with Diaghilev. Stravinsky's inventive, virtuosic use of orchestral colors and abrupt, repetitive rhythms take audiences on an unprecedented sound journey. The Firebird's story draws characters from several Russian folklore sources; however, the Firebird herself is a magical creature who ultimately saves the hero from peril.
Keep yourself and others safe. The Flint Institute of Music strongly encourages mask-wearing and vaccinations to protect yourself and others against the spread of COVID-19. Visit our website for our most current policies and protocols and pay attention to the pre-event emails for any updates regarding your upcoming concerts. If you feel uncomfortable about attending or are not feeling well, contact The Ticket Center to discuss your ticket options.